MCKAY & LEIGH
The singular duo effortlessly balances wit (“Let’s Don’t Get Married”) and whimsy (“Let’s Go to Lubbock on Vacation”) throughout. “I’ve loaded up the Nomad and the tank is full of gas/We’ll ride along across the High Plains fast,” the latter goes. “We’ll find the sweetest spot on God’s creation, my pretty little turtle dove/Let’s go to Lubbock on vacation.” Punch line: “Then we’ll know we’re really in love.” The pair consistently doubles down with sharp snapshots charting equally unpredictable romantic byways.
Brennen Leigh and Noel McKay craft story songs with equal measures heart (“Before the World Was Made”) and humor (“Breaking Up And Making Up Again”). Evidence: Before the World Was Made. The Nashville based songwriters’ 2013 collaboration spotlights celebrated troubadours in peak form (“Before We Come to Our Senses”). “These are modern day country duets à la George Jones and Melba Montgomery,” producer Gurf Morlix says, “but with very sophisticated songwriting.”
Before the World Was Made began taking shape in 2012 right as Leigh’s solo high watermark The Box stirred waves far and wide. (Lee Ann Womack, Sunny Sweeney, Sarah Borges and Charley Crockett have covered her defiantly traditional country songs). By that point, Leigh was well rooted in Austin, where she moved after growing up playing in a family band in Minnesota. “I was attracted to the scene in Austin,” she says. “It was a great place to learn and get better at what I do.”
Meanwhile, McKay fronted the regionally popular McKay Brothers (Cold Beer and Hot Tamales), a band legendary songwriter Guy Clark had been championing for years. “Noel and Brennen are great songwriters,” says Clark, whose album My Favorite Picture of You contains the McKay co-write “El Coyote.” The album went on to win a Grammy for best Folk album in 2014.
Before the World Was Made proves his point. “Some of these are songs that Noe or l had from a long time ago that we reconstructed,” Leigh says, “and some we wrote together recently. Writing duets is just almost like writing from one point of view and splitting it and making it make sense. Like ‘Ball in Chain,’ is not like a fight song. Same with ‘Breaking Up and Making Up Again.’ They’re dysfunctional, but the characters are happy with their situation, so it’s almost from one point of view.”
The duo effortlessly balances wit (“Let’s Don’t Get Married”) and whimsy (“Let’s Go to Lubbock on Vacation”) throughout. “I’ve loaded up the Nomad and the tank is full of gas/We’ll ride along across the High Plains fast,” the latter goes. “We’ll find the sweetest spot on God’s creation, my pretty little turtle dove/Let’s go to Lubbock on vacation.” Punch line: “Then we’ll know we’re really in love.” The pair consistently doubles down with sharp snapshots charting equally unpredictable romantic byways (“Salty Kisses in the Sand,” “Great Big Oldsmobile”).
“We kind of set out to make out a record of songs that we were singing together, even if it wasn’t specifically duet songs,” McKay says. “We both have solo careers to think about, but we’ll probably revisit this over and over and it’s a nice thing we can keep doing.” “We got to where people were asking us about certain songs and lumping us together in their mind,” Leigh adds, “so we thought we should make something to pay homage to that. Of course, people like the funny ones the best.” Good reason: Only kindred spirits allow a song as wickedly waggish as “Be My Ball and Chain.”
“Brennen’s really great at melodies,” McKay says. “She’s always kicking around a melody and it’s great and she’ll attach it to a lyric idea that’s equally great. She writes characters in her songs like a novelist.” “Noel always has the line,” Leigh counters. “It’s like, How are we going to wrap this up? How are we going to bring it around so it makes sense? He always ties it up. Noel’s a poet.”
